Despite being one of the biggest cities in the country, Philadelphia doesn’t really seem to have a traditional anime convention. I assume this is because it’s located geographically close to a bunch of the big East Coast ones. Or maybe there was a big one but then Covid.
Anyway, Philly Otaku Fest is a small event without any big guests or industry presence, but it is in a pretty cool venue. I’ve always thought I could potentially do well at an anime con so I applied for the artist alley… and then I didn’t get in. Specifically, I was put on the waitlist which meant I could get a spot if someone dropped out. And that’s exactly what happened… 48 hours before the event opened.
Table of Contents
What is Philly Otaku Fest?
Day -1: Planning
Day 0: Prep & Packing
Day 1: Set Up and First Impressions
Day 2: Colder, Brighter, Better
Day 3: Sunday
Business Recap
Final Thoughts

What is Philly Otaku Fest?
Philly Otaku Fest is a three-day fan convention with a focus on anime and Japanese pop culture as a whole. The bulk of the event is a vendor hall. There’s a small gaming area, some panels, a cosplay contest, J-Fashion show, and one night a rock band that I think was just a local group doing covers of anime themes.
That’s pretty much it. There were zero guests – no voice actors or anything like that. No industry presence, no one like Crunchyroll or Bandai or even smaller companies had a booth. It was just a bunch of anime fans getting together for a weekend to have fun.
The event is held at Cherry Street Pier which is an old riverfront warehouse. The pier is one of those cool art collective places where artists can rent studio and office spaces that are open to the public for retail purposes and there are events like this that bring in foot traffic. There’s also static food trucks and a bar. I’ve actually vended here before. It’s a cool space.

Day -1: Planning
Once I decided it would be stupid to not go, the first issue was the set-up situation. I’d have to bring my own table and chair which is already a pain since I was on my own for the weekend. Also: I was in the middle of packing to move so my only table was on the balcony which was blocked by an upturned bed. But that didn’t even matter because that was an 8-foot table and my vendor space was a 7-foot square. Then I still had to get to the balcony because that’s where my chairs were.
Luckily I did have another table – it was just holding up my TV, my PS4, and my router. So that was fun. I took everything off then started setting it up to plan my space for the weekend when I had a realization: this table is 4-feet long. That’s how much space I had at PIE… The event I did two weeks before this one. I didn’t need to bother setting it up because I basically just ended up recreating the same set-up anyway.
The only new thing I had to make was a vertical version of my price sign because the horizontal version I made at PIE ended up not fitting the tight spot. Naturally, this simple thing took two hours. I think the problem was my printer was having trouble connecting to the Wi-Fi. Probably because my con table had been holding up my router until a few hours earlier.
Right before I went to bed, I decided to check the weather forecast. It was supposed to rain and be a bit chilly all weekend. For the first time I thought: What if this was a bad idea?
(I don’t have any photos from Thursday.)
Day 0: Prep & Packing
I found out I was off the waitlist while at work on Wednesday, so that meant Thursday was my only real day to do any prep I couldn’t do with what I had in the apartment. Since everything from PIE was still pretty much packed up and ready to go, I really only had to go grab some snacks and head to the bank to pick up cash to make change.
One of the first things I thought about when I woke up on Thursday was the full vendor space. My 4-foot table was going to be enough in my 7-foot space, but that space was a full square. The table isn’t very wide, only two feet. I had almost five feet of space behind the table to… Do nothing with. I didn’t have an extra table or anything, as helpful as that would have been. And I was taking a Lyft to the venue so transporting everything would have been a pain. Oh well.
I went grocery shopping and decided to overstock on food. My plan was to just snack all day and not have to order food delivery until I felt like I was absolutely starving. So I didn’t just buy Doritos and Goldfish, I got stuff to make peanut butter sandwiches and such. I don’t like eating a lot of peanut butter in public, but I also didn’t want to pay $20 to get Jimmy John’s delivered 5 times in 3 days. I knew there were static food trucks around too, but couldn’t remember exactly what kind.
For inventory packing I went as absolutely simple as possible. Comix Clubhouse has released four comics so I brought those four comics and that’s it. The big lesson I learned from PIE was that I didn’t need to bother with little things like stickers or buttons. Focusing on the books also made cash sales easier since everything is $5. I didn’t need to do math on the fly or deal with digging through a huge stack of ones either.
Unlike PIE where I was taking a train across the state, Philly Otaku Fest is located in Philadelphia. You know what else is located in Philadelphia? Me! Since it was a multi-day event, I figured I didn’t need to bring a whole lot of inventory right off the bat. If something was running low I could just do a restock overnight.
That being said, I definitely felt like I was overpacking by bringing a full box of Space Bunny, a full box of Jack & Beans, and a box that was half Hero Booster and half Sapphire & Moonstone. Each box holds 50 comics except Space Bunny is thicker so a full box holds only 40 copies. I knew that was more I would need, but I’d rather have more than I needed than risk selling out mid day.
I felt weird only bringing half a box of Hero Booster since it’s objectively my most “anime” thing, but I have no idea how well a tokusatsu-inspired comic is going to do in 2025 regardless of the context. Even if every single attendee is a fan of Japanese pop culture, tokusatsu has always been ultra niche among anime fans and Hero Booster sales have dwindled over the past few years. Until this alleged Disney+ series comes out, I wasn’t expecting Hero Booster to sell well at a con unless there is an actual Power Ranger there too.
Pretty much the last thing I did on Thursday was decide what to do with this big empty space in the middle of the table. That’s where I was selling stickers and buttons at PIE, so I decided to add stickers there and give them away free with purchase. I stepped back outside and checked mom and pop four dollar stores (a thing Philadelphia has by the dozen) and eventually found these green birthday party plates to hold the stickers. Made a sign, then called it a night.

Day 1: Set Up and First Impressions
The first thing I noticed when I woke up was that it was raining. I checked the forecast: it was going to keep raining for at least 24 hours. I’m not saying that’s a bad thing, but it does mean getting to the venue and unloading was going to be a pain. Plus, potentially less foot traffic and who knows what it will be like in the sorta open air but mostly indoor venue?
A little bit after noon the weather started getting a lot better, though the forecast hadn’t changed. I started thinking about leaving early just to beat the rain and deal with any foreseeable hiccups from having to set up my own table or possibly not being in their records since I got off the waitlist so late. Ultimately, I was just bored. So I decided to make lunch, charge my phone, and ended up leaving at 1:30 when of course the rain had picked back up.
When I got there, I saw no one doing check in or anything like that. No con organizers anywhere in sight. Or maybe they were but they weren’t in any identifying shirts or anything like that. I asked another vendor where to go and they said to just find your spot and go set up. I told them I had no idea where my spot was. Apparently there was an email that went to everyone except me with where the spots were. They were super cool though and looked me up on their phone and found my spot for me. 11/10 random vendor selling Japanese snacks.

After setting up quickly and without issue I still had an hour to spare, so I walked around chatting with people about their previous experiences with this con. Even ran into the vendors who helped me earlier. They asked if I had found my spot. I said, “No one has told me to move yet.”
Over the next hour or so I just wandered the con to get a sense of the vibe and see what I was in for. First, I checked out what kind of other vendors there were. I think there were around 75 vendors, and only 4 of them were reselling Japanese merch and collectibles – and only one of them had Amazon stickers.
There was also one booth selling exclusively Zelda merch. I later found out this was labeled “The Zelda Experience” in some places. But it was just a guy selling Zelda merch. I think it was a hardcore fan downsizing their personal collection. Mood.
I’m actually okay with a fandom con not being 100% artists. In fact, I would have been okay with a few more vendors selling official plushies, keychains, vintage toys, DVDs, and things like that. But it was still cool to see how many artists there were. And a decent amount of them had art from weird, old, and obscure stuff and quite a few with original work. It wasn’t just everyone chasing whatever’s popular.
And even among the artists there were only a few selling low-effort stuff like tumblers and vinyl decals. And I only found exactly 1 instance of an AI artist using generated imagery. And even then it was only for their business logo, none of the art they were selling.
Otherwise, maybe 95% of the vendors were artists selling real art of things they love.
I did another lap to confirm something else I had suspected: I think I was the only person there selling just books. A few artists had a zine or two, but primarily they were there selling prints and stickers and such. I was the only person there exclusively selling comics. There wasn’t even a booth selling official manga either. I wasn’t sure if that was going to work in my favor though. Maybe people just weren’t coming here for books?
Then, because I was bored and can only mentally collect one string of data at a time, I did another lap to see if anyone was selling tokusatsu stuff. I was really curious to see how big the fandom was here. I figure if artists are selling toku stuff, that would mean they expect toku fans to buy it. Additionally, if there’s artists here selling toku then that means fans may be coming here to buy toku.
Anyway, no. It’s just me. It’s just Hero Booster. But then I saw someone in a full, high-quality Power Ranger cosplay so that gave me hope.
At some point during this time I actually ran into the organizer. They seemed nice. We had a nice chat.
While I was doing my third lap, I began to pick up on something that I guess I had been to busy to notice before.
As anyone who was at Philly Otaku Fest 2025 will tell you. It was cold. It was so cold. Cosplayers were walking around with winter coats covering their fancy costumes like a kid on Halloween. Vendors started putting their coats back on. Some had scarves. Some had gloves. Some had blankets. I think someone had space heater. How did they know to bring that?
If you’re reading this in the future or like climate change is worse or whatever, let me remind you: Philly Otaku Fest was held in April. Indoors. And yet it felt like I was sitting out in the snow.
How? Why? What happened? I know it was raining and I was literally within 30 feet of a river. I know it’s a big old building that wasn’t designed with any of this in mind. I vended here in July during a heatwave and didn’t remember it being too hot.
The last time Cherry Street Pier opened artist in residence applications, I actually looked into it out of curiosity and because I’m ambitious enough to think Space Bunny will someday support me. The application did mention that the artist studios are air conditioned, but I didn’t realize that the warehouse itself isn’t. The website does say to dress in layers for winter events, but I didn’t think to check that.
I did check the weather before I left. I took a Lyft there but was planning to take the subway after. I figured I’d be fine with just a hoody but at the last second decided to grab my winter coat just in case. This probably saved my life. I would have had to DoorDash a coat from Target.
To say that I was uncomfortable the entire time is an understatement. I felt absolutely, completely frozen the entire time. Of course, it wasn’t a medical disaster waiting to happen. My coat and hoodie were enough to keep me alive. But that doesn’t mean I wasn’t miserable on a sheer biological level.
It wasn’t even really “cold” outside either? It was raining and windy but it was over 40 degrees. But it felt like half of that inside. The bathrooms were heated though so I kept going in there just to decompress.
After I sat down to wait for the con to properly open, I noticed something genuinely scary. My books – 100% of the stuff I sell – had started warping. I’ve never seen that before and it had me worried my entire inventory was going to be destroyed by the air. Within literally just the first hour I was contemplating packing it up early and just kissing the vendor fee goodbye.
Now, let me be clear. None of this was the fault of the organizers or the venue. The building is old. Weather is unpredictable. I’m not mad at at the organizers. I don’t think anyone expects it to get this cold in April.
With that out of the way, it’s time to complain about something else.
In the middle of Cherry Street Pier, hanging from the ceiling, is a giant screen. I think it’s LEDs but I can’t be sure even though I was as close to it as you could possibly be. My table spot was one of a few that were directly underneath this thing.
Since the last time I was here was for a film festival, I distinctly remembered that there was a screen. But during set up I didn’t really really notice or mind because they were playing JRPG soundtracks. Chill instrumental tracks over simple clips of characters walking through 16-bit environments. It was cute. I liked it.
When the con officially opened, they switched to playing anime theme songs. I don’t mean AMVs. I don’t mean like the full versions of songs set to scenes from the shows. I mean they put on a playlist of the actual television OPs. That means there were chaotic lights flashing directly above me playing songs in a language I do not speak – and a new song started every 90 seconds.
The first song was the original Dragon Ball opening, which I love. But while I was jamming along to Mystic Adventure I also had orange lights shooting into my retinas. It got really, really old fast. Cons are loud enough, if you’re going to do music then at least do instrumentals and leave the screen off. I think they just used the big screen because it was there and they could. Which… I get that. But I think there was a better way to utilize it.
Either way, the combination of the cold and the flickering bright lights did not sit well with me. I ended up feeling absolutely uncomfortable the entire time. I could barely hear customers and I felt like I was not giving it my all because I was in such a bad way from the start.
At one point I noticed an empty spot in the next row over. I wasn’t that far away but it was facing away from the screen, so I actually emailed the organizers and asked if I could move. 20 minutes later I saw another guy in my row move to that spot and I was like… What the hell?
To be fair, he was actually closer to the screen and on the side that actually faced it. So while it was annoying to have it constantly flickering out of the corner of my eye, he had the blinding light in his face the whole time. He definitely deserved to move more than me. I’m not even mad about it.
I think what happened was the organizers got confused by my email and asked him if he wanted to switch thinking he was me and he just saw the opportunity and took it. (Update from the future: I talked to him on Sunday and this is exactly what happened.)
I say, if you’re going to use the screen, don’t put any tables there. Certainly not vendor tables where someone is expected to sit for extended periods of time. I was in the last row of vendors and right behind us they set up a J-Fashion booth inside of a tent. Just put the tent under the screen, they won’t even notice it.
Within the first couple of hours I had already eaten most of my snacks simply because digesting something warmed me up. The marshmallows in my rice krispie treat had frozen. The only food trucks in the warehouse were the bar and an ice cream place. There used to be… I don’t remember what it was but last time I was here there was this place that ran out of chicken and they weren’t there this time.
Despite all the food I bought to not have to order food, I needed something hot. So I ordered a whole pizza for myself from Pizza Hut. I didn’t want to take half a pizza home, nor did I want to spend that much money to stuff myself. But it was cold as hell so I needed something. I ordered a pan pizza and they sent me a hand-tossed pizza so I got a full refund from DoorDash. So yeah. It was worth it.
Oh. Right. Comics. I did decently for what was apparently a slow Friday. I figured if things picked up on Saturday and I kept selling at the same pace then I would technically make a profit. But I’ve done events before that were a financial success but decided not to do them again because of external forces. Things like… you know… The Snow Miser coming inside the venue on the first day of spring break.

Day 2: Colder, Brighter, Better
I got home Friday after 10pm and had to leave at 10am the following morning… That’s a twelve hour turnaround. Here is one thing I totally did not consider when I got off the waitlist or even when I applied in the first place: the hours.
The entirety of Philly Otaku Fest – including vendors – was open on Friday from 4:00pm-9:30pm, on Saturday from 11:00am-9:30pm, Sunday: 11:00am- 6:30pm. That is… a long time. Including set up and breakdown that is over 24 hours across three days. I’ve done 3-day events and have never seen vendor hours starting that early and going that late.
This was part of what lead to my big food purchase. Staying that late Friday and Saturday meant I would technically have to pay for lunch and dinner both days. But it also meant I had to sit at my table for over ten hours on Saturday.
I get that most anime cons have stuff going on until 2am, but the vendor hall usually closes before dinner. Philly Otaku Fest does have panels and gaming and stuff, but still it’s mostly a vendor hall. I think the reasoning here is simply that the con is in the middle of a venue that is open to the public, so the con is open as long as the pier is which makes it easier/cheaper/whatever I don’t know. Going into the weekend, I knew I was in for a long one.
And then, after Friday, I started to worry about spending over ten hours in the freezing cold. When I was getting ready for bed on Friday I was starting to feel physically sore after what was apparently a slow half-day. I was just exhausted. And then I had to do it again but longer. Twice.
When I woke up on Saturday, the forecast said it wasn’t going to rain much today but it was going to be colder. So I dressed in more layers and headed out to start my long, cold day.
After I got back to my table on Saturday, it took everything in me to sit down. I didn’t want to do it. I didn’t want to sit in the cold. I didn’t want to sit under the jumbotron. Since people were still setting up, I just wandered around a bit more. And guess what I saw: another empty spot. I had to get it.
Somehow, I ran into another organizer. I straight up asked if I could move and he said he would talk to his wife – the other organizer I had met the day before. Since there was no one to check in with when I arrived on Friday and I never saw his wife again after our brief chat, I was starting to think the entire con was organized by a single married couple with no one else handling things?
And, you know… That sounds bad but… They did it. They put on an event. That’s impressive. I think if I was running an event this size I’d need a minimum of 10 people on staff. Maybe they did and I just didn’t see it. Matching shirts would be cool. Actually, there i a good chance they were wearing matching shirts but I couldn’t tell with everyone wearing heavy winter coats.
Anyway, my point is I wasn’t holding my breath that I’d get to move. So I sat at my table for the first hour in misery under that giant screen flashing in my eyes. And then, like a beacon of hope, the other organizer came out of nowhere and said that not only could I move, but her kid would help move my table. Hell yeah, that’s what’s up! 11/10 kid.
Sometimes I have bad anxiety about confrontations like this. I was actually afraid of writing about this at all. In fact, I’ve actually cut out another horrible thing that made me think I had the worst table placement in the whole con.
But that fact that I paid a hundred dollars for the permission to try and work while under sensory overload made me feel like stepping up. And since I did finally speak up, and it was corrected as soon as possible, I want to praise the organizers here.
This con is seemingly run by two people and their teenager and they kicked all kinds of ass. When asking if I wanted to move she mentioned she didn’t know how intense the screen would be. I know they used the screen in the past but I guess they didn’t have so many vendors that they had to put some of us under it. The fact that I’m one of two people who managed to escape from under the jumbotron tells me they probably won’t put anyone under it next year.
And guess what! My new spot was right next to those cool Japanese snack vendors who helped me find my original/bad spot. They had clearly brought more stuff when they realized the spot next to them was empty and were definitely using more than the 7-foot square they were allotted, but they were super cool about accommodating me when I moved. Good thing my table was only four feet because otherwise I wouldn’t have fit.
As for the actual selling, once I was comfortable opening my eyes and not freezing (as much) I started moving books more and more. As can be expected with most Saturdays I sold twice as many books as I did the previous half-day.
My theory about Hero Booster ended up being correct. I sold more Hero Boosters on Saturday than anything else, and it was also the book most people picked up and flipped through even if they left without buying anything. It’s definitely my most “anime” book and there were plenty of tokusatsu fans walking around. Besides that one guy in a full Sentai suit, I saw quite a few people with Kamen Rider belts throughout the whole weekend.
I think having the only tokusatsu stuff ended up helping as well, since I effectively had no competition. I’ve been to cons as an attendee where my main interest is something niche and weird like Digimon, so I know when you see the only thing representing your fandom you just have to have it.
The most shocking development of the day: Space Bunny, my most popular book, was surprisingly down. I only sold a few copies on Sunday and that was toward the end of the day.
I think the big thing is that while Power Rangers fizzled out of relevance in its final years to the point that kids have no idea what it is, there are still nostalgic adult fans. All of my Hero Booster sales were to people my age.
Space Bunny on the other hand appeals mainly to kids. There were kids here, but they were clearly “anime kids” if you know what I mean. Whenever I saw some tween dressed like Nezuko Kamado (Yes, I had to look her name up) then that meant they’ve read or seen an incredibly complex story that features demons getting slayed or whatever I only read the first chapter. Anyway, they’re not going to be interested a pink rabbit.
Jack & Beans continued to be neck and neck with Hero Booster. And even Sapphire & Moonstone was performing better than Space Bunny, which I chalk up to it being a pretty standard superhero affair.
Also: Saturday wasn’t as cold as Friday. But it was still cold.

Day 3: Sunday
The final day was really interesting. For one thing, it was a lot warmer. It wasn’t warm, it just warmer. People were walking around in t-shirts during set up. But it quickly returned to hoodie weather and within an hour everyone was back in heavy coats. C’mon.
The weird thing that happened right away was happening on the big screen. Once I’d moved from directly under it I actually had a decent view and could enjoy some of it as intended. Usually it was a bunch of random anime openings with a few other random geeky songs sprinkled in.
They started Sunday by playing an entire Megaman movie? I didn’t know such a thing existed? At first I thought it was episodes of the old show but it kept going and there weren’t any credits until the end so… Cool? After that it was back to random theme songs for the rest of the day.
Here’s the big shocker of the weekend: Sunday was my biggest day of the con. More than twice as big as Friday and still a bunch more sales than Saturday. I don’t think that’s ever happened before with a multi-day event. I can only assume the weather kept people away until the last day, which makes me hopeful that this con next year would be even better in warmer weather.
Another thing: Sunday was Space Bunny Day. Hero Booster and Jack & Beans did well, but Space Bunny knocked ‘em outta the park. And even then, Sapphire & Moonstone was in second place??? There were a lot more families on Sunday. Most of my sales the first two days were to nostalgic adults or people buying for kids they know. But Sunday was the first time I sold directly to kids which is always fun.
Another fantastic thing of the weekend: the return of the One Of Eacher. Every now and then I’ll get someone who buys a copy of all of my comics – one of each. Back when I only had two or three, that wasn’t a big deal, but with the fourth book out it becomes a very significant sale. I didn’t get any at PIE, but here I had four One of Eachers, and they were all on Sunday. Hell yeah.

As I’ve already mentioned, the main expenses for this event were the table fee, physically getting there, and buying food to keep me from dying during the long hours. Obviously I spent more than I would have liked. If I had access to a car would probably have helped but then I’d have to pay for parking so it probably would have been about the same.
Income-wise, I did fairly well and, when everything was calculated I turned a profit of a little under $40. Frankly, that’s pretty good. Overall I think if the weather was better earlier in the weekend and I wasn’t in a miserable mood on Friday I probably would have done a lot better.
Here’s a thing. Even as PIE was in the midst of happening, I was like, “This is the most successful event I’ve ever done.” But what exactly does that mean? People I told kept bringing up past events where I made more money. And here I sold more books i.e. made more money, yet it still didn’t feel as successful. So I did what I always do when I don’t have a real job: I wrote some Excel code.
The main thing I wanted to calculate was “sales per hour.” PIE felt incredibly successful as books were selling out within hours of opening. On the other hand, I sold more books at Philly Otaku Fest but there were entire hours where nobody even walked by my table.
So I took the amount of books I sold at each event and divided it by the number of hours each event was open for. At PIE, a six-hour single-day event, I sold about 7 books an hour. At Philly Otaku’s long, cold weekend I sold about 2 books an hour.
This data does not include expenses, but it’s worth noting that a table at Philly Otaku Fest cost about 3 times much as PIE which evens them out to basically costing the same for me to attend. I don’t know what I’m going to do with this info but I have it now.
Also, I should say, I obviously packed way too many books. But I guess bringing 150 books there and taking 98 back was better than having to bring 30 with me on the train every morning.

Final Thoughts
Philly Otaku Fest was long, cold, loud, last minute, and kinda miserable. And it was my one of my favorite events of all time. This was my first time attending an anime event since 2019 and even if I am currently reading 1 manga and watching 0 anime, it was so damn fun being surrounded by fans having fun just engaging with the thing they love.
I am still in awe of how this event was apparently just run by a single married couple. I do know they had different organization partners running things like the gaming area and all of the panels. And, to be fair, an event that’s almost entirely a vendor room doesn’t need a lot of management. But the planning and organization for an event this size is still impressive.
While there were plenty of issues throughout the weekend, it was great seeing how quickly they responded to to what they could. They were really chill and clearly wanted to make sure everyone was having a good time whether they were attendees or vendors. In fact, I even noticed them walking around and buying stuff from a few different vendors. That’s what’s up.
If I had to offer some constructive criticism: Like I’ve already said, don’t put any vendors under the screen and play full songs instead of TV versions. And, here’s a new one: Sell separate 10×10 vendor booths for bigger vendors like the snack people and cheaper 6ft table spots for artists with simpler set-ups like myself.
Otherwise, Philly Otaku Fest was cool. Did it have problems? Yeah. But the organizers fixed as many as they could and as quickly as possible. Honestly, I could see this event grow into a larger venue like a hotel or even convention center. Bring in voice actor guests, fashion creators, some big industry sponsors, anything is possible and Philly is too big to not have its own anime con. Either way, I would definitely do Philly Otaku Fest again.
The most valuable thing I learned this weekend is that diversifying events leads to diversifying sales. I thought, maybe, Hero Booster would do well here. But I figured, realistically. Space Bunny would continue to be my most popular title. And my original hunch proved correct.
Now I’m thinking about different events that different titles could excel at. I wasn’t sure if I’d do well at an anime con, but now I’m convinced I could probably make any kind of event work. Other fandom cons, any family event, even furry cons or pizza expos. I could probably sell books anywhere. As long as it’s not too cold.
Hello. Welcome to the bottom of another super long blog post with a table of contents. If you missed the last one, I wanted to do reviews of events but I just don’t have the energy to start a YouTube channel from the ground up. But this being my own website means I’m not on any platform. No ads, no sponsors, I don’t even have proof anyone reads these. So here are some cool ways you can support me.
Buy my books!
You can find Comix Clubhouse titles on the website here or buy every book I’ve got on my person Ko-Fi store here. One of them is kinda like Power Rangers! Buy them for your kids and/or self.
Follow me!
I can be found on Bluesky and… that’ basically it. I’m @warpvector everywhere but don’t actively post much these days. You know how it is. You can also follow @ComixClubhouse and @Bozorobo wherever you follow things.
Watch my videos!
They’re on YouTube. Idk if they get like 10k views I guess I’ll make another.
Check out Philly Otaku!
If you are an artist and/or anime fan in the Philadelphia area than you definitely want to follow them online. Their Instagram seems to be their most active.
Here’s some cool people I met at Philly Otaku Fest:
MYNTH by Lynn – makes cat toys and huggagle guys
Catherine Epps – another cat person. we were already IG mutuals
shinyhorseshoe – makes earrings, dice, and gave me a ride home on Saturday
Ryan Barr – it was his first con ever if you can believe it
Snack Shack Drive Thru – 11/10 vendor of Japanese snacks